A 2nd grader at Roundtown Elementary takes action to ensure none of his classmates are left out of recess.
☂ Rain as an element is a key plot device in many of Miyazaki’s films.
umbrellas requested by okoyn
It is December 6th, and I remember.
I was 13 years old when Marc Lépine opened fire and murdered 14 women for being at engineering school when he wasn’t. He blamed feminism for the situation he was in, and murdered these women for being in non-traditional jobs, for being there.
Every year, the memorials I go to are different. Some are quiet - I remember several winters in the snow, holding candles and reciting names like a talisman against violence.
Geneviève Bergeron, 21 years old. Hélène Colgan, 24 years old. Nathalie Croteau, 24 years old.
When I was younger, they seemed impossibly mature and sophisticated. I used to imagine them laughing and enjoying university, cut down without warning. Now that I’m 35, they seem so young, and I wonder if they were afraid.
The latest neuroscience study of sex differences to hit the popular press has inspired some familiar headlines. The Independent, for example, proclaims that: The hardwired difference between male and femaleâ¦
This week struck me as a particularly exhausting one when it came to that certain brand of provocatively-headlined-but-probably-not-what-you-think-it-is science news that we know and
As usual, it’s the science media click-machine that’s to blame, which is a polite…
I told Miyazaki I love the “gratuitous motion” in his films; instead of every movement being dictated by the story, sometimes people will just sit for a moment, or they will sigh, or look in a running stream, or do something extra, not to advance the story but only to give the sense of time and place and who they are.
"We have a word for that in Japanese," he said. "It’s called ma. Emptiness. It’s there intentionally.”
Is that like the “pillow words” that separate phrases in Japanese poetry?
"I don’t think it’s like the pillow word." He clapped his hands three or four times. "The time in between my clapping is ma. If you just have non-stop action with no breathing space at all, it’s just busyness. But if you take a moment, then the tension building in the film can grow into a wider dimension. If you just have constant tension at 80 degrees all the time you just get numb.
Rogert Ebert, on Hayao Miyazaki (via pseudolirium)
And this is why I often gravitate to works that have this even if “nothing happens” a lot of the time.
Check The Rhime | ATCQ